In the Light of the Passing: Book 1
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This is followed by discussions on the early history of the Incense Light community; the life of Wuyin, one of its most prominent leaders; and the crucial role played by Buddhist studies societies on college campuses, where many nuns were first introduced to Incense Light. The work ends with portraits of individual nuns, providing details on their backgrounds, motivations for becoming nuns, and the problems or setbacks they have encountered both within and without the Incense Light community.
This engaging study enriches the literature on the history of Buddhist nuns, seminaries, and education, and will find an appreciative audience among scholars and students of Chinese religion, especially Buddhism, as well as those interested in questions of religion and modernity and women and religion. Table of Contents. Cover p. Title Page, Series Page, Copyright pp.
The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
Contents pp. Preface pp. Introduction: Why Study Nuns? The Beginning of the Incense Light Community pp.
The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories by Nella Larsen
Wuyin, the Guiding Light of the Community pp. Davis Best Seller. Paperback —. Add to Cart Add to Cart. About Passing The powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today, now a part of the Penguin Vitae series, with an introduction by Emily Bernard. Also in Penguin Vitae. Also by Nella Larsen. Product Details. Inspired by Your Browsing History. Related Articles. Means have values which can be disputed, and Clare does dispute them.
But ends do not. It is a suggestion that puts racial prejudice in a larger and more general context while pointing to its real evil - the denial of the capacity for purpose to another human being. That it is a suggestion made in at a high point of racial atrocities in the United States, makes it even more remarkable. But it does demonstrate some instinctive reaction that human beings have to assign and judge motives with about as much care and attention as tying a shoelace.
Nov 22, Fabian rated it really liked it.
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Unfortunately I have not read many Harlem Renaissance greats. The simplicity of the way this story is told, with a heavy and interesting overuse of commas and a well-rounded anecdote which deals with self-proclamation and self-deception, makes this my favorite one in the canon. Ire Unfortunately I have not read many Harlem Renaissance greats. Irene is a woman who has bought into her class, she is very much involved in her social circle and is motherly. But when her very opposite comes into her life, a question surges forward and it is this: how much of your race constitutes you as a person?
View 2 comments. Oct 12, Duane rated it really liked it Shelves: guardian , american-classics , book-challenge , rated-books , reviewed-books. Nella Larson was born in Chicago to mixed race parents. Her mother was Danish and her father was Afro-Caribbean, also with a mixed race heritage. So Nella was caught in between worlds, not quite white, not quite black, so it was natural for her to write of her life experiences. And that's what she does in Passing The story is set in Harlem and revolves around two women, Irene Redfield and Clare Kendry, both light skinned, one secure and happy, accepting her racial identity, t Nella Larson was born in Chicago to mixed race parents.
The story is set in Harlem and revolves around two women, Irene Redfield and Clare Kendry, both light skinned, one secure and happy, accepting her racial identity, the other "passing" as a white woman and burdened with all the insecurities her secret causes.
It is beautifully written and Larsen's characters are created with such visual and verbal clarity that they dominate the narrative. Oct 16, Steven Godin rated it liked it Shelves: america , fiction. Written in the late 's, this is indeed a powerful piece of writing, and all these years later still remains an important one, dealing with the uncomfortable critique on modern race relations. Nella Larsen holds her own place in history for being the first African-American woman to receive a Guggenheim fellowship, and while her body of work hardly got off the ground in terms of numbers, what she did produce was fascinating insight into the tough lives people of mixed race had to endure.
This Written in the late 's, this is indeed a powerful piece of writing, and all these years later still remains an important one, dealing with the uncomfortable critique on modern race relations. This short novel was an uneasy read, with some quite painful moments, which looks at the lives of two very different young, black women in Harlem.
Irene Redfield, is part of the elite. Accomplished, reasonably wealthy and sophisticated, but living in a cultural enclave.
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Whilst Clare Kendry, is just as isolated, but worryingly from her own race. Like a handful of others, Kendry is 'passing' for caucasian, her husband makes jokes about her skin tone, but has no idea she is classed as non-white. This is as much a story about the gap between private and public selves as it is about racial identity, but what I found particularly thought-provoking was the subtle nature it offers on standards of beauty from within as well as on the outside. That, it seems, are just as ingrained now as they were back then nearly one hundred years ago.
Even today, there appears a constant stream of controversies involving black celebrities having their skin lightened in tone for magazine covers and interviews. Does for example buying into black idols just perpetuate the idea that women have to conform to a white woman's standards of beauty in order to get in the spotlight? Absolutism though has no place in Larsen's novel, there is much sympathy for Clare, even if she is participating in events that harm and insult other black women. There is a desire to be swept up in a social group that was still very much above the one she was born into.
She still want's to hang out with her real kind, and through letters this leads her to rekindle a friendship with Irene or Rene who is wholly uncomfortable about the idea. Obviously America has come a long way since this book was written, but not far enough having a racist leader doesn't help , this could quite easily be happening out there right now.
Certainly there are plenty of pressures on all of us at some point in out lives, but it always ends up with non-whites bearing the brunt of it. I have to be honest, although Larsen raises a serious topic here, the story as a whole just kind of underwhelmed me. The structure of the narrative never gave me the impression of being anything that great.
I was certainly drawn to the circumstances of both women more than how Larsen went about telling it. It did however feature a shocking finale which I didn't see coming, but ultimately it shouldn't have surprised me, as what went before was never on the happy side.
A major work on race it maybe, but just lacked that extra something to be a memorable one. May 15, Majenta rated it liked it Shelves: friends. View 1 comment. Judging by the fact that this book has an introduction by the awesome Ntozake Shange, extensive notes and a detailed critical foreward by Mae Henderson loaded with references to related books and other critics who have written on Larsen, and that Bitch magazine devoted a feature to the book in their early issue , Passing has only become, if anything, increasingly relevant over the decades since its publication in The explanatory power of the concept of 'passing' has been utilised to ma Judging by the fact that this book has an introduction by the awesome Ntozake Shange, extensive notes and a detailed critical foreward by Mae Henderson loaded with references to related books and other critics who have written on Larsen, and that Bitch magazine devoted a feature to the book in their early issue , Passing has only become, if anything, increasingly relevant over the decades since its publication in The explanatory power of the concept of 'passing' has been utilised to make sense of the experiences of a wider range of marginalised groups thanks to the networks formed by social media activism.
It seems particularly relevant for trans people who until recently were advised by medical care providers to conceal their trans histories see, for example, Transgender History by Susan Stryker. Inspiring author Janet Mock has often spoken about this issue and her complicated relationship with it as a trans woman, but not, to my knowledge, as a woman of colour.
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The slippage in the specificity of 'passing' produces both light and heat - fresh insight and fresh rage, maybe fresh confusion. I remember seeing a young journalist concerned with social justice issues giving a paper and noting among her privileges 'I pass for straight': most of the time I am read as straight, whether I am straight or not. The same seems to be true for me. I am also aware that I 'pass' as middle class, and that I sometimes take advantage of this quite unthinkingly - I adjust my accent before I am aware of doing it. There is a parallel here with Irene's 'passing' in the whites-only hotel where she meets Clare.
It is clear that she thinks nothing of this, and is able to un-self-critically disapprove of Clare's more consistent 'passing' which has to be maintained in private due to her deliberate deception-by-omission of her extremely racist white husband. Irene's disapproval is rooted in her uneven racial solidarity, but it also grows out of her fearful need for security.
This need is corrosive. The tense, trammelled atmosphere of the book, reflecting the limitations imposed on black lives by segregation and white supremacy, is, for me, created largely through the uncommunicative relationship between Irene and her visibly and attractively black husband Brian. The narration never strays from Irene's consciousness Mae Henderson argues that Clare is a double of Irene, a possible 'passing' self , and the distance between her desperate, passionate thoughts and her words is a chasm.